” فضاءات نيوز ” تحاور الرسام الجورجي ريزو مكفابيشفيلي

Conversation with Georgian painter Rizo Mkvaishvili The interview was conducted by the journalist: Donia Al-Hasani – Iraq Impressionist realistic paintings in a narrative language that mimic the essence of nature The experience of the Georgian painter Rizo Makvaishvili represents the multiplicity of artistic styles in painting in the old European style, drawing its ingredients from realistic foundations with an impressionistic sense that goes back to his primitive instinct. Through which he simplified the natural aesthetic formulas in which the forms and contents vary by reformulating the Georgian cultural heritage with an artistic vision influenced by the perspective of the artist Van Gogh, but with a new vision between reality and imagination, directly related to the professional drawing of the realism of religious and historical figures and the diversity of contents stored behind the veil of form. The intellectual and cultural paintings related to the human heritage such as the painting (Jesus Christ, Saint Nino, the apostles Peter and Paul, and Queen Tamara) and other narrative heritage paintings bear the fragrant poetic thoughts of the dreams of the ancient Georgian literature, in harmony with the natural and watery landscapes with seas and bays in their ports ships Anchored lovers tales. And the sparkling lakes float with the reflection of the starry sky and the luminous moon, what the artist Rizzo’s brush highlights from the effect of three-dimensional lighting in a theory that is in harmony with the warmth of romantic colors. The direction of seeing the scenes with a funny visual flow, and the sailing boats that wave in the sea of ​​Hyam Lane, the feelings of the artist Rizzo, from which he weaves paintings with a variety of artistic and color materials in an attempt to describe a mixture of spirituality and philosophy between the material reality, tangible and sensory, to the metaphysical, which is felt spiritually, and this is done through The artist’s penetrating insight into the depths of that essential reality to reveal the essence of things and their reality in existence, so he rises from the limits of the third spiritual world to the farthest spiritual dimensions. He adopts primitive realistic depiction with a metaphysical perspective of nature and things that he derives from the inner spiritual emotional impression to express primitive motives in neo-classical traditions The creative painter Rizzo has a divine talent for drawing with one hand because he suffered a stroke with paralysis on one side. The right-hand man, but he reduces skills that make him crystallize the creative process according to new characteristics and a unique style in his portrayal between realism, impressionism and spirituality, which strives to revive the primitive experience in European art and return to the state of natural instinct that extends from Western civilization throughout history. Enchanting velvet shapes and colors according to an imaginary chromatic texture that pulsates with its harmonious and interactive gradations within the spaces of his high-end heritage artworks. We had this meeting with him, which indicated the pleasure of delving into the question and searching in an elegant dialogue between talent, art and beauty in the style of Georgian culture, to know and learn more about this creative artist and his elegant world: How did you get your start in drawing and what is art for you? When I was a child I had a talent for drawing, and I never thought of becoming an artist one day, and when I woke up thinking about the dream I had at the end of the autumn forest, a village appeared before me in the moonlight, and I found ultra-fine gouache paints and began to paint the moon with every A brushstroke spread its bright colors in front of me, and so I started painting at the age of twenty-nine. Selling paintings and art became a huge force for me!. Does your creative approach derive from the heritage of ancient Georgian art, and do you use modern techniques in painting? As a Georgian artist, I learned the art of drawing myself and created a clear creative style that expresses who I am that came out of Frosman’s roots, but I speak a new word. And Verusman is a great artist who, as a self-taught Georgian artist, said a beautiful word in painting. Georgia is a small country and I wrote it because I am rooted in it. As for modern techniques, I do not know how to use modern calligraphy technically. I draw in the old way,, I draw with all my love first with the right and then with the left. This is the method of my technique and my experience in drawing. What is the moral stimulus that motivates you to search and experiment new by launching into the arms of the beautiful nature. ? – I did not think of new experiences because I gained independence in painting in my own style, and art experts advised me not to go to museums and exhibitions so as not to fall under the influence of the dev

Why do you like to draw sacred historical and religious figures? I have loved God since childhood, I respect all saints, who is a true believer who does not use the name of God and deceive and kill people both physically and spiritually. Whether he is Christian or Muslim, and I also love the history of my country very much, so I draw Georgian historical figures. Once in ancient history, the Georgian Mamluks ruled Egypt and the Levant. * How was the rule of the Georgians over Egypt and the Levant, then who was the ruler who emerged among them at that time? The rule of the Georgians in Egypt and the Levant continued intermittently. The ruler who emerged during the rule of Egypt from the Georgians was Ali Bey the Great, who led a revolution for secession in Egypt. It is reported that Ali Bek the Great summoned his family from Georgia to live with him in Cairo until his father fell ill, so the family left for Georgia again. We noticed in your paintings that you work on waterscapes. Do you have an emotional state with it that attracts you to contemplate the harbors of its coasts? I love the sea that has no end, and I love the lakes surrounded by forests and mountains, which I call love, because there are pairs with them, whether they are human, animal, or bird, there is perfect harmony. Also, I love the little rivers I know and see in my country, such is life! And all I want to do is draw. What is the specific approach that pushes you to convey the realistic impressionist image of the Georgian heritage through the language of art and colours? ? I prefer drawing nature, life begins across the sky like drawing, if I paint the sky, then I draw the sky in it the renewed air of life, and so nothing will remain before the victory of painting, and after the sky begins the earth and I try to draw it so that it can stand on it and there will be fresh air among the trees developing and then the water that I drew a lot. As part of our deep reflection on your artistic paintings, we saw in them an aspect of realistic depiction of sacred religious figures and rituals, such as the painting of Jesus Christ and other messengers. Do you adopt ideas and contents that would enhance the revival of religious and spiritual values ​​in the heavenly religion? I often think of God who created everything and when I attract everything around God with great love and fear I want to revive religious and spiritual values, so I think that when people tell me that my drawings are a cure for them and that they love them, I take another step towards God and I thank Him every day for giving me the gift of drawing . Do you believe that the artist’s feather and talent are able to melt the ice of differences, blurry dimensions and misunderstandings between humans by drawing a human dialogue between arts and religions that God is one? ? I believe that the talent of the pen and the brush and the artist can melt the ice of differences between people, the blurry dimensions and misunderstandings, and conduct a human dialogue between art and religion, and that God is one and the great source of inspiration for everything. Do you have new projects and art exhibitions that you want to set up at the local or international levels? – Time passes and it becomes difficult to hold exhibitions now because of the war, epidemics, the disappearance of love.. the artist’s lack of money, thank God.. but I still have a solo exhibition in a world-famous museum in my country, and also the computer helps me meet my friends so that everyone can Seeing my creations, most of my paintings are not for sale but the sounds are approaching to turn my doorstep into a museum, and now my old dream of having a botanical garden has come back to life again and here I have to sell some paintings for this wonderful work, and so life is full of contradictions and oddities and yet it is beautiful.